Be Brave…at YOUR pace

I am in Vanuatu, a scattering of 83 tiny islands in the South Pacific. Far from being a relaxing holiday lounging by the water, sipping cocktails and lapping up the sunshine, these two weeks have turned into what could more accurately be described as ‘soft adventure’.

So far I’ve been sea kayaking, climbed a waterfall, done two scuba dives, been horse riding through the forest and down into the ocean, and snorkelled a cold deep ‘blue hole’. Still to come is a visit to a renowned bat cave which involves canyoning over waterfalls and climbing bamboo ladders.

When I dedicated this year to ‘exploring my essence’, I knew I would have to step out of my comfort zone, particularly with regard to physical activities as this is where my confidence is especially lacking. The philosopher Joseph Campbell says we must do the thing that scares us the most, because this is where growth and freedom lie.

While this philosophy resonates deeply with me, I now know more than ever that I need to stick with my ‘go slow’ approach to learning new skills. This means that while I’m prepared to push myself and be uncomfortable at times, I’m not willing to push myself so hard that I dramatically lower my chances of experiencing some success in the process. Trial and success learning is every bit as valid as trial and error learning, and for someone with low confidence levels in a particular area, this approach can make all the difference.

My first scuba dive was conducted one on one with a local instructor. I told him about my fears around the mask clearing skill required to become a certified diver. I ‘failed’ this task when I first tried to do an open water dive course a few years ago. Having water flood into my mask makes me feel like I can’t breathe, even though I clearly can. If I had a dollar for every person who has told me this is easy to do I would be rich!   It’s not easy for me right now, although if I persist I’m sure that one day it will be.

No amount of logic can convince someone who has an irrational fear to stop having it. The key is repeated small steps to desensitise the reflexive reaction. I’ve done this successfully in the local swimming pool with a snorkel, but transferring that to the ocean with a regulator was more difficult than I expected. My instructor suggested we do a shallow dive first and took me out very slowly, pausing often for me to get comfortable with breathing underwater.

We ended up spending 38 amazing minutes under the water, down to a depth of 10 metres, feeding bread to all sorts of colorful marine life and exploring the coral reef. Towards the end I was swimming on my own and having a ball. I came out of the water feeling much more confident and determined to conquer my mask fear so I could complete an open water course one day.

Two days later we went out again, this time to the famous Million Dollar Point, an underwater graveyard for WW2  military supplies, inclouding jeeps, tractors, forklifts, and cases of coca-cola. The day was windy and we were in an unprotected area so the sea was choppy. Generally I have no fears about being on the surface of the water, but with so much gear attached to me, it was a little hairy getting out from the shore. Still I managed to submerge below the waves breathing through the regulator, and we started moving towards the military dumping ground.

At one point I felt a few drops of water in my mask – I talked myself calmly through the clearing process and it worked, but those pesky drops came straight back. Reluctantly I asked to surface. My instructor assured me there was no water in my mask, and I realised he was right. My concern though was if we were too deep to surface immediately and I got a lot of water in my mask, would I panic? I had still not mastered the mask clearing skill.

He agreed to stay shallow enough that we could surface if needed and down we went again. I kept feeling drops of water around my nose but was able to assure myself that this was normal, harmless, and to stop focusing on it. We saw all sorts of amazing artifacts as well as some beautiful fish and sea anenomes.

The problem was that 20 minutes into the dive, I realised we were now down to 19 meters. In Australia I wouldn’t be allowed past 12 meters as a ‘try diver’, and I knew that we now wouldn’t be able to surface without a 3 minute safety stop. Suddenly the few drops of water around my nose became very disturbing! It’s funny how you can know when your thoughts are irrational but still give in to them.

We surfaced minutes later at my request and I was shocked to realise how little water was in my mask – in my mind it had expanded to being half full when in reality it was almost nothing! I didn’t have much time to feel disappointed though because we had surfaced a long way from shore and as we could not go back down again, we had to swim. Since I am probably the most unfit I’ve ever been right now, this was quite an effort and I noticed I was beginning to hyperventilate from the exertion.

So this is what my clients have been telling me about all these years – I’ve never had a panic attack and I suppose knowing exactly what was happening made it a lot less frightening than I imagine it is for many of my clients, but it was an enlightening experience all the same. I held my breath for a few seconds and this brought things under control. I was fine by the time I got to shore but that’s when all those really unhelpful thoughts started. Things like:

- I knew I’d stuff up again
- Everyone else can do this except me
- Why does this always happen to me?
- Everyone must wonder what’s wrong with me
- Maybe I should just accept that I’m not capable…
…and so on.

You probably recognise some of these yourself. Note the focus on ‘everyone’ and ‘always’ and how ‘I knew ‘ and should ‘just accept’ – rather than what the other divers focused on, which was the fact that I had just managed a 25 minute dive under difficult conditions with an unresolved phobia tagging along!

The book I’d been reading – Personal Growth for Smart People by Steve Pavlina – talks about the importance of facing our fears, saying that failure is a necessary part of success. If you aren’t failing, there’s a good chance you aren’t succeeding either. A diving friend also pointed out (after patiently listening to all the above complaints) that this is what happens when you push yourself and try something new. Especially when you move too fast and don’t take small enough steps.

So I am not giving up my goal of becoming a certified open water diver. Instead I’ve decided to take however long I need and whatever number of small steps are required to get there. And since much of what holds me back is shame about ‘everyone’ seeing me struggle, I’ve decided to create a blog series dedicated to sharing this process openly.

If you’ve found yourself missing out on something that would bring fun and joy to your life because it scares you and you worry about being a giant flop at it, I would love for you to join me on this journey and share your own. It’s not so much about becoming a diver (I haven’t even mentioned my kayaking experience yet!), it’s about becoming more of who we are by reframing fear and failure as necessary stepping stones to eventual success and mastery.

I imagine one day telling nervous beginners: ‘nobody takes as long as I did to get here, but it was worth every step!’

Brave Intuitive Painting

I’m waiting patiently for my signed first edition of Flora Bowley’s debut book ‘Brave Intuitive Painting’ to arrive. I came across Flora early this year when a friend told me about an online course called ‘Bloom True’. I’ve never had any interest in painting, the sad truth is I hate getting anything on my hands – I wear gloves to wash dishes and do the gardening and I don’t even like washing my hands much really. No idea why, but drawing always seemed a lot more appealing to me because it isn’t so messy.

But when I read the outline for Flora’s course I was hooked immediately. I think it was something about the words ‘intuition’, ‘authenticity’ and ‘heart-centred’ in the description, or maybe the part in the outline that said it was NOT a course about particular painting techniques. I liked that it focused on process rather than painting a specific object or scene, and most of all I liked the part that said there was no way to do it wrong!

I was lucky enough to enrol before it was sold out. Her only in-person workshop in Australia this year sold out the same day it opened for registration. Over 600 people from all around the world enrolled for the innovative online course. Here’s why:

It’s a course about being BRAVE, ie. having fears but continuing towards them, into the unknown. It’s about going with your gut, trusting your intution, and finding your own voice. The course was filled with videos of Flora working – at times blindfolded and dancing her hands across the canvas to the sounds of Kyrstyn Pixton – along with playful prompts, lessons on tools and materials (did you know leaves from your garden and bubblewrap are painting tools?), instruction on breathing and yoga for getting into the zone, and all along there was encouragement and support, especially when our paintings went through the ‘ugly teenager’ stage.

One of my favourite paintings by Flora Bowley

As excited as I was to get started, all my lovely course materials sat unused for a week or two because the very first lesson required us to put our hands into the paint. Not just getting a few splashes on our hands here and there, but actually using our hands to transfer the paint from the palette directly on to the canvas. I watched as other participants posted photos of their beautiful handiwork and felt envious, but I began to notice others were writing about the same feelings I was having – the horror of getting paint on our hands!

Finally I decided I had to dive in at some point, it might as well be now. I closed my eyes and tentatively dipped my fingers into red, yellow and orange acrylic paint and start daubing it on to the canvas. After a minute or two I opened my eyes – and saw something quite striking! I hadn’t expected the results to look as appealing to me as they did.

Fingerpainting with eyes closed

After a while my hands were not just in the palette but I was now squeezing paint straight from the tubes onto my fingers. I was dropping paint on to the canvas and using my fingers to swirl it around, squirting the paint with water and using my hands to direct it down the length of my canvas. I was fingerpainting – me with my strange aversion to getting my hands messy – and I was loving it!

Now I’d faced my fear, I was free to do all sorts of things. As we built up layer after layer of first warm, then cool colours, I dipped bottle tops and leaves and bubble wrap into the paint and dragged and dotted my way across the canvas. We had two canvases going at once so that while one was drying, we could work on the other. I couldn’t even walk past my canvas without stopping to add in a little more colour here or there.

Layer 2

Layer 3

Flora then talked about incorporating personal imagery, either recognisable things such as plants and flowers, or design elements such as shapes and swirls and dots. She encouraged us to keep turning our canvases different ways even after including recognisable images, just to see what might appear. It wouldn’t suprise anyone to know that the first image to appear in my debut painting was a horse. As he emerged, a butterfly appeared next to him. I was controlling the process somewhat at this point rather than allowing the painting to grow itself, but I was still happy to meet these creatures and let them find a home on my canvas.

Layer 4

Layer 5

I painted a number of canvases, none of them anything like each other, and certainly nothing like Flora’s or anyone else’s in the class, but Flora was careful to point out that this was as it should be. I was aware that as a complete beginner I couldn’t compare to some of the beautiful work appearing in our Flickr group from some of the more accomplished artists, but normally I would compare myself anyway. This time I didn’t – I just watched and learned and admired. The painting part was fun, but the process of being free to follow my intuition and overcome my fears was even more rewarding. I have since bought myself an easel – a serious easel! It’s taller than me and it has a little drawer for all my paints and bottletops etc. I can’t imagine stopping painting now.

More recently I started Leonie Dawson’s Creative Goddess course - not only did she want us to put our hands in the paint, she suggested throwing our paintings in the grass, sticking leaves or paper on them, even hugging them. Some of the goddesses held back a little in the beginning with this activity…but not me. After all, I don’t have any problem making a mess in the paint with my hands!

International Soul Art day

On April 11th Laura Hollick led a Soul Art® journey in her studio that lasted for a full 24 hours and was streamed live so people all around the world could experience a guided body mapping process in their own homes and studios.

At first I was content to watch via the studio web cam as the small group in the studio created their artwork, and look through the journeys of those at home who were sending in their insights and images of their art. After all, I’m on a ‘go-slow’ this year, and I’ve already done a few soul art journeys, so why do another one?

But at some point during the 24 hours, I decided to join in. I’m working on launching a new business this year so I certainly had plenty to work with. I got out my supplies on the afternoon of the next day, and set my intention:

I am behaving in ways that support me both personally and
professionally to reach my fullest potential. 

There is a lot of synchronicity that happens during the body mapping process. I chose a marker pen at random (green) and lay down on the canvas to trace my hair and neck. When I stood up I realised there was a tree on my canvas – my neck was the trunk, my hair the leaves, and it was all in green.

At this point, my camera battery decided to go completely flat and, as I wanted to take a photo of my tree before going any further, I had to wait for it to charge again before I could move on to making art. This meant I had time to go for the run I’d been avoiding, a behaviour which is directly in line with my intention!

As it happens, when I came back I forgot to take a photo of my tree anyway, and only remembered after I started slinging paint on it. I usually use collage when I do Soul Art, and most people in the studio and at home were doing this, but as I had all my acrylic paints out from my recent intuitive painting course, I decided to use these instead.

Following my intuition I applied different colours on to my body map, spraying them down with water so they dribbled down the canvas. I added marks across the colours at random and from time to time I turned the canvas to get a different perspective. More brushing, squirting, and finally using my fingers, and my tree began to disappear.

After a few more turns of the canvas, I saw what might have been fireworks across my canvas. I was suddenly reminded of the Katy Perry song Fireworks and when I looked up the lyrics, they seemed to relate directly back to my intention:

Do you know that there’s still a chance for you
’cause there’s a spark in you
you just gotta ignite the light and let it shine
just own the night like the 4th of July

‘Cause baby, you’re a firework
come on, show ‘em what you’re worth
make them go, oh oh oh
as you shoot across the sky

Baby, you’re a firework
come on, let your colors burst!

I don’t think my painting’s finished – in intuitive painting there are many many layers involved to create a richness and depth to each piece, but as far as the soul art process went, it had definitely delivered me a powerful insight that I could act on. My spirit action seemed obvious after my art began singing to me! The message echoed the one I received last year from Sonney during an equine-assisted coaching session. No more hiding and trying to be invisible, ignite that little spark and show the world what I’m worth. For me, this always comes back to writing.

Through my therapeutic journalling exercises with Cheryl Fuller, a Jungian psychotherapist in Maine, I’ve had an idea emerging from a little piece of free writing I did based on the Wizard of Oz story. I was amazed at what I’d written when I read it back, and I immediately wanted to develop it further. At the same time, I’ve been dragging my heels in the Year of the Novel group I’m currently part of through the Queensland Writers Centre, not really getting anywhere with the idea I was developing over there.

My spirit action will be to put that idea aside for now and start applying the Year of the Novel activities to my new idea instead. Blog entries on intuitive painting and therapeutic journalling are also calling me. All this writing is the best way I can think of to honour my intention and resulting insight - maybe colours will burst across the sky as a result!

If you participated in International Soul Art day, I’d love to hear what insights you uncovered.

Unpacking

I love the movie Eternal Sunshine of the Spotless Mind. In one scene (I won’t give too much away) the characters agree to go ahead with their relationship despite knowing they will eventually get annoyed and bored with each other.

Some people we meet are like hosts of a guest house who invite us in but impose baggage limits, allowing us to unpack only the bare minimum. There are others who invite us to unpack but when they realise how much we’ve brought with us, suddenly insist we pack it up and get rid of it immediately.

In some cases, this is understandable. None of us want to be privy to someone’s entire life when we barely know them, that would be like someone moving in and taking over when we only invited them over for a coffee. There needs to be limits, and we need to let each other know if we cross those lines.

But how many of us have at least one person who allows us to slowly unpack a little more each day? We all need this,  someone who can see and hear our ‘stuff’ without going weak at the knees, feeling overwhelmed or running away.

How many people do you do this for? We can’t do it for everyone, or even for most people – our house would be overflowing with baggage – but we can do it for one or two people, and hopefully one or two people can do this for us.

A friend and I once attended a workshop where the facilitator kept repeating the phrase ‘let’s unpack that’ as he demonstrated working with counselling clients. By the time he’d said it for the 10th time we were trying not to giggle.  But in counselling there is another term known as ‘unconditional positive regard’ which refers to the practice of accepting people as they are, regardless of what they say or do.

Karl Rogers, who coined the term, believed it was essential to show unconditional positive regard to clients. He stated that our growth is nurtured by being accepted by those close to us, and he believed people who didn’t experience this type of acceptance eventually develop negative beliefs about themselves.

Psychologist David G. Meyers says “It is a profound relief to drop our pretenses, confess our worst feelings, and discover that we are still accepted. In a good marriage, a close family, or an intimate friendship, we are free to be spontaneous without fearing the loss of others’ esteem.”

When you find these people, you can unpack and even leave your stuff with them knowing it will be safe. It’s like having a home away from home. But of course the most important person to receive unconditional positive regard from is ourselves. Being able to unpack and accept all our baggage, no matter how overwhelming, is like coming home.

How Body Mapping Changed One Woman’s Perspective On Life

I was recently asked to contribute a case study to The Professional Therapist journal on the use of art therapy techniques. Last year I introduced some of my clients to Laura Hollick’s body mapping process and I decided, with the permission of one of these clients (and with her personal details altered) to write about the impact body mapping had on her life. You can read the article here:

As you’ll see, body mapping (a component of Soul Art®) is a powerful creative process that changes lives. If you would like to try this process out for yourself to see how it might alter your perspective, clarify your direction in life, or just get you ‘unstuck’, I would love to hear from you. You can read further details about this on the ‘products and services‘ page.

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